It takes its roots in France in poetry, in the poetry of details, in the way a project integrates into its territory, with a deep respect for nature and for resources.

Then it expanded in Mexico, where architecture reveals another dimension, deeply connected to cosmology. An ancestral architecture, but also something very technological, very empirical, very raw. Between the past and the future. An architecture that is in direct dialogue with the elements.

At the same time, the founder grew up with a strong connection to Japanese culture, as her father was deeply rooted in Japan. From a very early age, she learned the delicacy of Japanese life a delicate art of living, a sensitivity to lines, to gestures, to silence.

The practice of kata choreographed movements in karate became for her a form of architecture. A way to understand space through movement, through precision, through invisible lines.